Difference between revisions of "The Randy Rawholes"

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Consisting of [[Dean Ballinger]] and [[Jamie Stone]], the Randy Rawholes were more of a collaborative conceptualisation of the possibility of progressive artistic practice in fin-de-siècle Hamilton than a band as such. An inflatable sheep with a simulated human vagina was used to comment on the "superstructural" utopia/dystopia of the so-called "global" new economics; the architecture/non architecture, inhabitation/non-inhabitation of sprawling malls, techparks, multiplex hotels, spiritless poverty and highway infrastructure creeping the globe. While Andy Warhol's name was played upon, his spirit was trampled upon by this devastating critique of the  apathy and moral decay inherent in bourgeois American art, and more widely, in Western notion of postmodernity.
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Consisted of [[Dean Ballinger]] and [[Jamie Stone]].
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Their performance consisted mainly of simulated coitus with inflatable sheep while screaming out their own band name.  
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It may or may not be interesting to note that the Randy Rawhole's short existence precedes the Dandy Warhols' rise to household name status, and that many Hamiltonians therefore assumed that the latter band was a Randy Rawholes tribute act.  
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{{Band-Stub}}
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[[Category: Bands]]

Latest revision as of 12:04, 4 September 2007

Consisted of Dean Ballinger and Jamie Stone.

Their performance consisted mainly of simulated coitus with inflatable sheep while screaming out their own band name.

It may or may not be interesting to note that the Randy Rawhole's short existence precedes the Dandy Warhols' rise to household name status, and that many Hamiltonians therefore assumed that the latter band was a Randy Rawholes tribute act.

This Band-related article is a stub. You can help by expanding it.
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