Difference between revisions of "A Lone Cloudburst"
Thedugganaut (Talk | contribs) m |
Thedugganaut (Talk | contribs) m |
||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | ''A Lone Cloudburst'' was an album by [[sink \ sink]] released on tape via Already Dead Tapes and Records (USA) and on double 3" CD via indie label Susy Records | + | ''A Lone Cloudburst'' was an album by [[sink \ sink]] released on tape via ''Already Dead Tapes and Records'' (USA) and on double 3" CD via indie label ''Susy Records'' (Peru) on 28 May 2013. |
| − | The album was produced by [[Sean Lynch]], album art by Hamilton artist Stephanie Chalmers. | + | The album was produced by [[Sean Lynch]], with album art by Hamilton artist Stephanie Chalmers. |
==Tracklisting== | ==Tracklisting== | ||
| + | [[Image:sinklone.jpg|right|thumb|Art associated with ''A Lone Cloudburst'']] | ||
Side A: | Side A: | ||
# cherished | # cherished | ||
| Line 21: | Line 22: | ||
==External Links== | ==External Links== | ||
| − | *[http://www.alreadydeadtapes.com Already Dead Tapes and Records website] | + | *[http://www.alreadydeadtapes.com ''Already Dead Tapes and Records'' website] |
| + | *[http://www.susyrecords.com ''Susy Records'' website] | ||
| + | |||
| + | [[category:releases]] | ||
| + | [[category:albums]] | ||
Latest revision as of 00:28, 5 June 2013
A Lone Cloudburst was an album by sink \ sink released on tape via Already Dead Tapes and Records (USA) and on double 3" CD via indie label Susy Records (Peru) on 28 May 2013.
The album was produced by Sean Lynch, with album art by Hamilton artist Stephanie Chalmers.
Tracklisting[edit]
Side A:
- cherished
- fade away
- a distant backdrop
- submerged
Side B:
- lamna dorren oppen
- last call sounded
- nobody knows
- before
- deep grey skies
Reviews[edit]
Website Beats Per Minute described album track 'submerged' as "an amalgamation of buried distortion, singer Ylva Krantz’s ephemeral voice, and a wash of densely layered instrumentation. Opening with a salvo of My Bloody Valentine-esque hiss and grit before slowly morphing into thick cello and acoustic guitar notes, the track seems intent on waving as many influences in front of our faces as possible–and that is definitely a good thing. When you can subvert and combine sounds and genres as well as sink\sink can, I think you’re allowed to show off a bit".
